Inspired
by reading Bram Fischer's biography at the Liliesleaf Farm museum
recently, when I saw that there would be a performance of the one man
play The Bram Fischer Waltz in Johannesburg I just had to go.
The play was originally written in Afrikaans by Joburg based
writer/director Harry Kalmer. It went on to win a slew of Afrikaans
theatre awards and was subsequently translated into English for the
2013 National Arts Festival. Here's the blurb which explains what it
was all about:
The
moving story of Bram Fischer, the Afrikaner communist and lawyer who
saved Nelson Mandela from the gallows but died in prison himself.
Based on research and conversations with people who knew Fischer
well, this play explores the personal life, political outlook and
choices of an extra-ordinary individual who paid the ultimate price
for his beliefs.
Unless
you are really familiar with the ins and outs of the anti-apartheid
movement in the 1950s and 1960s - and particularly the Rivonia Trial
- you may not have heard of Bram Fischer. His name seems to have
dropped quietly from the list of famous heroes and has only
reappeared in recent years as historians reconsider his story.
Recently the Bloemfontein airport was renamed in his honour and a
number of biographies have come out putting this great man back in
the spotlight.
Bram
Fischer was a lawyer by profession. He was born into a very
privileged Afrikaner family - his father was the Judge President of
the Orange Free State and his grandfather Abraham was once the Prime
Minister of the Orange River Colony. He studied at Oxford University
and married a niece of prominent South African statesman Jan Smuts
(she also was a staunch anti-apartheid activist and his closest
ally). He was also a committed Marxist and a leading figure in the
South African Communist Party. He gave up a life of immense privilege
and went against the prevailing attitude of his community to dedicate
his life to helping end apartheid. As he says in the play: 'at least
we can say that there was at least one Afrikaner opposing this system
they call apartheid' [sic].
The
play sees Fischer looking back over his past from a prison cell in
Pretoria where he has been sentenced to life imprisonment for his
communist activities and conspiracy to overthrow the government. We
hear about his admiration for his comrades Nelson and Walter and
their inspirational speeches from the dock during the Rivonia Trial
(where he was acting as their lawyer). He also tells of his
heartbreak at the sudden death of his wife during a car crash (he was
driving the car). And we also hear about his last days of freedom on
the run from the South African authorities. The whole story was utterly engrossing and my compliments must go out to the amazing David Butler for his touching portrayal of this truly great South African.
Bram
had been a secret member of the communist party since the 1940s. In
1964 he was charged for leading the South African Communist Party (it
was illegal to be a communist in those days). He was released on bail
and travelled to London where friends encouraged him to forgo his
bond and go into exile. Bram Fischer however would not give up on his
homeland: “I
am an Afrikaner. My home is in South Africa. I will not leave my
country because my political beliefs conflict with those of the
Government.”
On
his return to South Africa, Fischer then went on the run joining the
underground liberation movement, determined to sacrifice all he could
for his country's freedom. He left a message for the court explaining
his motives: “My decision was made only because I believe that it
is the duty of every true opponent of this Government to remain in
this country and to oppose its monstrous policy of apartheid with
every means in his power. That is what I shall do for as long as I
can...What is needed is for White South Africans to shake themselves
out of their complacency, a complacency intensified by the present
economic boom built upon racial discrimination.”
After
290 days on the run he was captured and put on trial. Some friends
encouraged him to publicly renounce communism to gain a lesser
sentence. Fischer was however true to his beliefs and delivered a
passionate defence of his actions and proudly proclaimed himself to
be inspired by Marxist theories.
The
last scenes of the play are very moving as the final months of Bram
Fischer's life were unbearably tragic. Suffering alone in his cell
from brain cancer, his health deteriorated drastically and following
his partial paralysis and loss of speech the authorities were
eventually persuaded to allow his brother's home in the Free State to
be declared a prison. He died there in 1975 long before the end of
apartheid. His ashes were confiscated after his funeral by the
prisons authority and his final resting place is unknown.
The Rand Club
The
Bram Fischer Waltz was performed in a most incongruous venue - the
Rand Club. The Rand Club is a historic members club in the Joburg CBD
which dates back to the days of Cecil Rhodes and the Randlords. Under
apartheid it was a whites only, males only club which also
discriminated against Jews. Thankfully nowadays anybody is allowed to
spend some time relaxing here so long as they obey the 'dress code' (no jeans, no trainers, no sports clothes etc).
The
building is super colonial in style. It has a grand staircase,
massive bar where they serve beer in engraved tankards (keeps your
brew super cold!), an olde worlde library, various posh function
rooms, a gun room (yes really), some (probably) extremely valuable
and very beautiful drawings of exotic animals and birds and portraits
and busts of a grand array of leaders including the young Queen
Elizabeth II, Cecil Rhodes and of course dear Madiba. The theatre is
down in the basement where they also keep the Pièce
de résistance
-
a crazy billiards hall filled with the taxidermied heads of various
African animals - including a giraffe.
In
all the building is well worth visiting so keep an eye out for
upcoming events and open days on their facebook page and website.
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